review of "transmogrification" group exhibition for the blue review
The Blue Review is a new art criticism online publication founded by Dina Brodsky and Trek Lexington. "Transmogrification" is a group exhibition curated by Tun Myaing and Panos Papamichael. I'm simply thrilled to have been asked to review "Transmogrification" for the Blue Review. Please click here to read my thoughts on the fascinating, muscular show in Long Island City, and be sure to check out more of the Blue Review's content featuring some of the most original, vigorous representational artists working today. Many thanks to Dina, Trek, Tun, Panos, and all participating artists for giving me such great content to cover!
"NO NET ENSNARES ME"
In conjunction with the Rockport Center for the Arts, I am thrilled to announce my second curated group exhibition, "No Net Ensnares Me." Inspired by a line in Charlotte Brontë's Jane Eyre, "No Net Ensnares Me" is comprised of twelve women artists whose work asserts their independence. Fastidious technical knowledge, exploration of materials, and emphasis on craft and skill demonstrate that these artists, and their artworks, speak in a voice as clear as Eyre's.
I'm thrilled to return to Rockport, where I was introduced to the RCftA by teaching a silverpoint workshop there last fall. It's a vibrant Gulf Coast community, a former artist colony full of palm trees and Texan charm. I'm especially proud that many of the artists in this exhibition, like in "Argentum," are fellow New York Academy of Art alumni and classmates.
Running from May 20th through June 10th, please join us at the opening reception on Saturday, May 20th. A gallery talk will be given by myself and participating artists (and beloved buddies) Diana Corvelle and Elena Rodriguez. Please see the Rockport Center for the Arts' website for more information.
"argentum: contemporary silverpoint"
In conjunction with Marbury NYC, I am thrilled to announce my first curated national group exhibition, "Argentum: Contemporary Silverpoint." I've been fortunate to know many inspiring artists through the silverpoint and representational art communities, and "Argentum" displays contemporary American voices utilizing this deep-rooted medium in the twenty-first century.
In an age of ever-increasing automation, many artists are exploring this complex and challenging medium which was often employed by masters such as Leonardo da Vinci and Rembrandt. This exhibition presents a survey of silverpoint drawings made by a diverse array of over twenty representational artists. Some artists use the medium exclusively, some occasionally, and some experimentally. All are united by a strong commitment to skill and draughtsmanship, yet some employ silverpoint unconventionally: amongst figurative drawings, there are cut-paper pieces, antique lockets, cloudscapes, and the chronicling of Latino and Middle Eastern cultural experiences.
I'm very proud of the momentum driving "Argentum." Both Fine Art Connoisseur and American Art Collector, available at Barnes & Noble stores nationwide, will be running articles on the show in their May issues. A full catalogue with a foreword by Susan Schwalb, the foremost figure in silverpoint drawing today and a major force in contemporary drawing, will be available in print-on-demand and eBook formats.
Also, I will be instructing a two-day silverpoint workshop the weekend of May 6th and 7th in conjunction with the exhibition at Marbury NYC. And Marbury NYC itself is exciting: a life drawing studio, exhibition and workshop space whose aim is to bridge the gap between historical techniques and the contemporary artist, it is run by Sharon Goldberg and Carol Lees, and is located right on Gramercy Park in Manhattan.
The attention "Argentum" is attracting before it even opens is due to the dynamic and wondrously talented artist roster, many of whom, like myself, are alumni of the New York Academy of Art. If you're in New York, please join us at the opening on April 29th!
inclusion in "100 great drawings of 2016"
I'm very honored to have a recent silverpoint, Chicagoan Hatuey, included by Steven DaLuz in PoetsArtists Magazine's December issue, "100 Great Drawings of 2016." The portrait of my brother is amongst the stellar company of figurative artists I've long admired: Teresa Oaxaca, Dorian Vallejo, Edgar Jerins, Ryan Shultz, and many stunning others. Many thanks to Mr. DaLuz for recognizing my work, and click here to purchase a copy!
FALL 2016 EXHIBITIONS
This autumn/early winter, I'm excited to participate in three exhibitions:
- "International Drawing Salon," running September 1st-20th, at Menduiña Schneider Gallery in San Pedro (greater Los Angeles), California. This group exhibition has led to big news for 2017--stay tuned!
- "Picturing the Unprintable," organized by the Alumni Association of the New York Academy of Art, running October 7-16th, at the Flux Factory in Long Island City, New York.
- "Chévere," curated by Didi Menendez and Sergio Gomez, running December 3rd, 2016-January 7th, 2017, at Sirona Fine Art in Hallandale Beach, Florida. This exhibition signifies the beginning of exciting work I'll be doing with PoetsArtists Magazine, of which Didi is editor. PoetsArtists will also be publishing a poem of mine in conjunction with this exhibition, and I'll be writing for them in two separate issues in 2017.
7/29/16: TWO POSITIVE REVIEWS FOR DRAWING NEVER DIES EXHIBIT IN DENVER, COLORADO
From July 8th-August 5th, I'm participating in a group show at RedLine Gallery in Denver, Colorado--and it has been receiving generous press! In press reviews from both Westword and the Denver Post, my work was mentioned in conjunction with two other contemporary silverpoint artists, Tom Mazzullo and Raphael Sassi. Again, many thanks to jurors Donald Fodness and Daisy McGowan for selecting all of our work, and to Michael Paglia and Ray Mark Rinaldi of WW and the DP, respectively, for writing about the art so graciously.